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Post by ahorn on Feb 12, 2006 16:09:36 GMT
According to Billboard book TOP 40 R&B and Hip Hop Hits (c) Joel Whitburn
1. James Brown 2. Aretha Franklin 3. Louis Jordan 4. Stevie Wonder 5. The Temptations 6. Ray Charles 7. Marvin Gaye 8. Fats Domino 9. Gladys Knight (& The Pips) 10. The Isley Brothers 11. B.B. King 12. R. Kelly 13. Michael Jackson 14. Bobby Bland 15. Janet Jackson 16. Prince 17. The O'Jays 18. Nat "King" Cole 19. Whitney Houston 20. Dinah Washington
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Post by zapatoo on Feb 12, 2006 17:13:31 GMT
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Post by lankou2 on Feb 12, 2006 20:39:50 GMT
according to sales,i hope if so, i'm surprised at not seeing the supremes or otis redding, among others.
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Post by ahorn on Feb 12, 2006 21:38:13 GMT
Well, it's counted according to Billboard's mathematics, which is a mixture of sales, airplay and number of staying weeks in the top40. It favours people who have been in the business for a long time like James Brown and 'Retha. Otis Redding for example was at his height for such a short time that it doesn't entitle for higher positions in that all time list. The same goes for the Supremes - limited time of huge success and then fading into obscurity. LP sales don't count in this list.
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Post by Reggae Souldier (Big Five) on Feb 13, 2006 13:56:51 GMT
No "War" No "Brass Constrution" No "AWB" NO "Al Green" NO "Fatback" and No "Curtis Mayfield"
what a load of bollocks
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Post by ahorn on Feb 13, 2006 14:51:17 GMT
Yes, they're based on ice cold statistics, not emotions.
21. Luther Vandross 22. Kool & The Gang 23. The Miracles 24. Four Tops 25. Jerry Butler 26. The Impressions 27. Brook Benton 28. Earth, Wind & Fire 29. Diana Ross 30. The Supremes 31. The Jackson 5 32. Sam Cooke 33. The Drifters 34. Jay-Z 35. Jackie Wilson 36. Wilson Pickett 37. Mariah Carey 38. Elvis Presley 39. Joe Simon 40. Mary J. Blige
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Post by zapatoo on Feb 13, 2006 15:55:14 GMT
Quoting Big Five: ...what a load of bollocksCouldn't disagree less - a straightforward, honest appraisal that leaves no one in any doubt as to your thoughts on this ;D And let me repeat: 16. Prince Pfui
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Post by ahorn on Feb 13, 2006 16:53:08 GMT
And here's the rest of the 100
41. Spinners 42. Barry White 43. Patti Labelle 44. The Whispers 45. Johnnie Taylor 46. Tyrone Davis 47. Dionne Warwick 48. Smokey Robinson 49. Freddie Jackson 50. Al Green 51. The Dells 52. Commodores 53. The Manhattans 54. Teddy Pendergrass 55. Ruth Brown 56. Cameo 57. Puff Daddy/P. Diddy 58. Boyz II Men 59. Natalie Cole 60. New Edition 61. Bobby Womack 62. The Moments 63. LL Cool J 64. Peabo Bryson 65. The Gap Band 66. Otis Redding 67. Keith Sweat 68. The Chi-Lites 69. Usher 70. Donna Summer 71. Stephanie Mills 72. Joe Tex 73. The Clovers 74. Rick James 75. Gene Chandler 76. Aaliyah 77. Chuck Berry 78. Parliament/Funkadelic 79. Bar-Kays 80. Lloyd Price 81. Ivory Joe Hunter 82. Maze feat. Frankie Beverly 83. Joe Turner 84. Lionel Richie 85. Etta James 86. Amos Milburn 87. Hank Ballard & The Midnighters 88. The Platters 89. Ashford & Simpson 90. Solomon Burke 91. Rufus feat. Chaka Khan 92. Little Richard 93. Melba Moore 94. Levert 95. Chaka Khan 96. George Benson 97. Ink Spots 98. Jr. Walker & The All Stars 99. Tavares 100. Atlantic Starr
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Post by lankou2 on Feb 13, 2006 16:55:39 GMT
please, stop the killing now !!!! ; ) luther van dross mariah carey, jay z, that's too much for me ( should i even mention whitney houston or r kelly ??) no, actually this chart is interesting, though the way it is built is "questionable".
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Post by Freddy C on Feb 13, 2006 18:47:58 GMT
Interesting to see that if you are a really big selling Hip Hop artist that you are magically transformed into an R&B act (Jay-Z). I would dispute the fact that Janet Jackson is an 'artist' of any description. Have to disagree about Luther. Luther Vandross was a damn fine singer and his earlier albums especially his solo debut "Never Too Much" and the follow up "Busy Body" are excellent. He also put out some not very good albums and even managed a single with the lady I've maligned above. I think soul music from the 80s suffers a bit of an image problem - generally not as socially conscious as some of the 70s releases by the likes of of Curtis Mayfield, Marvin Gaye, Donny Hathaway and Gil Scott-Heron - more reflective of the Reagan era and the black middle class. That and the fact that quite a lot of contemporary 80s soul and funk sounded over-produced and often suffered from IMO fairly poor synth and drum programming.
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Post by lankou2 on Feb 13, 2006 20:48:28 GMT
i think the Jamaicans adapted much better to the digital revolution than the US black music scene. maybe they had much less gear and studio technology but they brought something new out of it - like it or not, it's another matter - Freddy really has a point when he says that soul music was really reflective of the Reagan ear Buppies and such types. mots of those hits are so smoooooovvvv that they end up melting away in the gutter. i don't deny Vandross was an apt vocalist, same for L Richie and their likes.But most of their music sucks the big one, it's mostly gutless gooey stuff. at least, though i'm no big fan of them, guys like Jacko and Prince offered a more imaginative and powerful alternative.there are some of Prince's cronies i enjoy, though, such as Sheila A and The Times. there has been a big gap since then, it seems, i am sure there is still good stuff being recorded, but artists like r kelly or the "nu soul" alternative don't do anything for me. I find most of those male artistes so cliché, i'd be a bit more lenient for some ladies, still.it is alway funny when i go to a music shop and see those young black people spying on me while i closely checking an old soul or rhythm'n'blues album while they only have eyes for the latest r kelly, Nottooblackdolly Whatshername or 50 pee.i wish they cared more about those foundation artists, plus they could buy two anthologies for the price of one current album! ; ) a newbie to a lot of those US sounds myself , i wish i just could share my enthusiasm who youngsters and elders alike.Silly me!
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Post by ahorn on Feb 13, 2006 21:09:44 GMT
I think soul/r&b of late since mid 80's or so has been suffering from serious case of under producing instead of over producing. At least that's how I hear it. Less musicians, less production, more synths and emulators, more emphasis on making videos.
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Post by zapatoo on Feb 13, 2006 21:57:20 GMT
...and since the mid-late 80s more sampling, meaning less need to go and create something new. Mind you, there was/is a rich vein of music from the 60s and 70s to mine and these days, I find it quite gratifying to hear a sample in a song, then go and dig out the original
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Post by paulk on Feb 14, 2006 12:42:30 GMT
" 38. Elvis Presley " ??
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Post by rosko on Feb 14, 2006 22:20:47 GMT
15. Janet Jackson
66. Otis Redding
Need I say more?
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Post by Baldhead Selector on Feb 14, 2006 23:07:57 GMT
Is Curtis Mayfield really not on that list or did I miss him?
Isaac Hayes?
Respect
Baldy PS - I could nit pick over the ordr but I guess that the top 8 at least should all be 'up there'
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Post by Mrs Trellis on Feb 14, 2006 23:15:24 GMT
From reading that list, I'm just a bit perplexed into how they decide if someone is R&B or not. With Nat King Cole at no. 18 I thought perhaps that R&B just means black artists as opposed to being a description of any style of music but then Elvis pops up at no. 38 so now Im not any clearer....
Anyone have any ideas into their criteria for these choices?
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Post by ekki on Feb 14, 2006 23:16:05 GMT
Curtis is here: 26. The Impressions
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Post by ahorn on Feb 14, 2006 23:50:43 GMT
R&B is used as a marketing term here. It doesn't really define the style of music but music which is popular in certain segment. In this case R&B (or whatever the marketing segment has been called before: race music, soul, black music etc) means just music that is supposed to sell to black people. There are some white artists which have done very well in "black section" like Elvis, Elton John and I remember even Aerosmith has had "black" hits some while artists like Johnny Mathis has gained barely any black hits. This is a market survey not tribute or fandom based stuff. It's based on actual sales and airplay. It only reflevcts the fact that most people, regardless of the colour and position in the society have pretty average tastes. More about billboard charts: en.wikipedia.org/wiki/Billboard_magazine
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Post by Baldhead Selector on Feb 14, 2006 23:53:00 GMT
Thanks Ekki
I think 26 is a long way down a man of Mr Mayfield's influence.
And chack out no.58. hahahahahahahaha
Respect
Baldy
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Post by Baldhead Selector on Feb 14, 2006 23:56:10 GMT
And check out no.60!!! HAHAHAHAHAHAHAHAHAHAHAHAHAHAHHAHAHAHAHAHA ;D ;D ;D ;D ;D ;D ;D ;D ;D ;D ;D ;D ;D ;D ;D ;D ;D ;D ;D I think we can all be suitaly proud that Musical Youth never made the reggae chart compiled by El Zapa. Respect Baldy
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Post by ahorn on Feb 15, 2006 0:02:19 GMT
Why you see this all in so negative way? Most of the stuff is here is still very appropriate and very pure stuff: Bobby Womack, The Dells, Temps, Four Tops, Maze, Isley Bros, Sol Burke just to mention a few. Is black man only good when he's suffering and yearning for freedom?
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Post by Baldhead Selector on Feb 15, 2006 0:06:47 GMT
Like I said - I pretty much agree that the top 8 should all be up near the top.
But check out number 60!
;D ;D ;D ;D
Its like having a list of top producers like this: 1. Coxsone 2. Scratch 3. Tubby 4. Chuckles the Clown 5. Bunny Lee
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Post by Freddy C on Feb 15, 2006 0:07:54 GMT
quoting Ian: "From reading that list, I'm just a bit perplexed into how they decide if someone is R&B or not. With Nat King Cole at no. 18 I thought perhaps that R&B just means black artists as opposed to being a description of any style of music but then Elvis pops up at no. 38 so now Im not any clearer....
Anyone have any ideas into their criteria for these choices"?I pay very little attention to charts but doesn't (or didn't) the US have 2 charts - a pop chart and an R&B (black) chart? A bit like the Negro League in Baseball. If you were Elvis (or even George Michael, if I remember correctly) you might be in the R&B chart with your black-ish music but on the other hand if you were Seal or Tricky or some other difficult black artist (hee hee ;D) who didn't sound stereotypically black you made it into the dibby dibby (sorry, pop) chart. Didn't the Yanks have problems with the marketing of multi-racial groups. Notice how 90s girl group Eternal shed their white member, Louise? All in all, seems like a load of racial bullsh*t to me - stick the brothas and sistas in their own chart 'cause they had all the good tunes and would dominate if they were let loose in the regular chart!
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Post by Baldhead Selector on Feb 15, 2006 0:16:56 GMT
Is black man only good when he's suffering and yearning for freedom? I'm not sure where this is coming from ahorn. I'd say that most of my favourite soul/R&B tunes are all about having a good time and dancing as opposed to having a political message. I do like the political stuff too mind you. Give me 'Hard to Handle' over 'A Change is gonna come' any day of the week. Respect Baldy
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Post by ahorn on Feb 15, 2006 0:18:18 GMT
The charts were combined in 1963-65 but I think it was separated again due to the fact that black artists dominated the charts. Segregation it is, but is still nice to look through those charts. too bad the latest edition of the book has been truncated onto TOP40 instead of the former TOP100. Those chart entries under 50 were sometimes very very interesting in the 60's/70's and even 80's.
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Post by Baldhead Selector on Feb 15, 2006 0:19:31 GMT
Of course you're right btw - and its not a bad list all in all I suppose. But did you check out no. 60 yet?!?!?!!?!?
:-)
Respect
Baldy
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Post by Freddy C on Feb 15, 2006 0:19:47 GMT
I've been picking through that 100 and I believe that I have recordings by 87 (therefore 87% ) of the artists listed and I have no problem with this whatsoever. Since it is more of a sales of 45s chart than a best artists one, there are still a lot of great artists in there. A great many of them would make a best artists 100 I would think. The actual order and the many glaring omissions would stop it from being just that - but it could be much, much worse for what it is! The 13% I don't own anything by (in some cases with great relief are) B B King, R Kelly, Whitney Houston, Mariah Carey, Elvis Presley, Puff Daddy, Boyz II Men, New Edition, Usher, The Clovers, Ivory Joe Hunter, Lionel Richie, The Platters, Ink Spots, Tavares. Yes I even bought a Janet Jackson 12" for the nice DJ Muggs remix on the b-side. Oh, and I do have Lionel but only within The Commodores!
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Post by ahorn on Feb 15, 2006 0:22:12 GMT
Is black man only good when he's suffering and yearning for freedom? I'm not sure where this is coming from ahorn. It's based on my own experience how people say things before they think. Rich black artists are considered as "sellout" while rich white artists are usually thought as genius or clever businessmen.
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Post by Freddy C on Feb 15, 2006 0:25:17 GMT
Quoting baldheadselector: " Of course you're right btw - and its not a bad list all in all I suppose. But did you check out no. 60 yet"?!?!?!!?!? S'matter Baldy?? You never find yo' 'Candy Girl'??!! ;D ;D ;D (methinks I saw a Madame Baldhead on 'ere )
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